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Flying high ... Pennywise the Clown in It
Flying high ... Pennywise the Clown in It Photograph: Allstar/NEW LINE CINEMA
Flying high ... Pennywise the Clown in It Photograph: Allstar/NEW LINE CINEMA

Stephen King's It scares off competition at UK box office as Mother! divides and falls

This article is more than 6 years old

A pair of horror films met contrasting fates at cinemas in a week that saw a royal return for Judi Dench and inexplicable longevity for The Emoji Movie

The winner: It

With £22.2m grossed from just 10 days of cinema play, Stephen King adaptation It is already well on the way to becoming the biggest horror movie of all time at the UK box office. Second-frame takings of £6.07m showed a fall of 38% from the opening session – a remarkably low rate of decline for a horror picture.

In comparison, the first three Paranormal Activity films were all in the £10-11m space, as were the two Conjuring movies. The Blair Witch Project reached £15.1m, albeit at a time, in 1999, when cinema tickets were notably cheaper than they are today. Most horror films do not reach £10m at the UK box office.

I Am Legend (2007), starring Will Smith, is the currently the biggest horror film of all time at UK cinemas, with £25.9m (unless you count the Twilight franchise, which is really a vampire romance with some action thrown in).

It’s been a rocky ride for King at the movies this year. The expensively produced The Dark Tower is virtually out for the count with £2.75m in the UK, although better luck in markets such as Russia push it’s global tally to $110m. It is currently at $372m worldwide and will surge much higher over the next few weeks.

The runner-up: Victoria and Abdul

While the dog days of the summer season didn’t offer anything very commercially viable to regional independent cinemas, salvation has finally arrived in the reliably impish form of Judi Dench. Frankly, many cinema managers had been counting the days until the release of Victoria and Abdul.

The film has begun with a decent £1.85m from 605 cinemas, including negligible previews of £9,000. Mrs Brown, Dench’s other picture about Queen Victoria, reached £4.1m in 1997. Victoria and Abdul director Stephen Frears’ last effort Florence Foster Jenkins began in May 2016 with a disappointing £713,000 (including £130,000 in previews), on its way to a total of £3.2m.

Although it starred Maggie Smith, not Dench, was set in the more recent past and is not a royal story, a pertinent comparison for Victoria and Abdul is The Lady in the Van, which kicked off with £2.26m in November 2015, going on to achieve a nifty total of £13.2m.

The disappointment: Mother!

With reviews scored by MetaCritic in a range from 100 (LA Times, Guardian, Telegraph) to 0 (New York Observer), and user ratings following a similar pattern, Darren Aronofsky’s Mother! is the very definition of divisive. And, Black Swan (£16.5m in UK) aside, the director has hardly been synonymous with major box office success. But, given the buzz on Mother! and a cast led by Jennifer Lawrence, distributor Paramount must surely be disappointed with a UK opening of £832,000 from 468 cinemas. One theory is that the commercially resilient It has sucked away the more mainstream-skewing portion of Mother!’s audience.

Teething problems … Javier Bardem and Jennifer Lawrence in Mother! Photograph: Paramount Pictures

The survivor: The Emoji Movie

Critics queued up to attack it, and its creative pedigree didn’t offer audiences the reassurance of a Disney, Pixar, Illumination, DreamWorks or Blue Sky, but Sony Pictures Animation’s The Emoji Movie remains in the UK top five after seven weeks on release, with weekend takings dipping from the previous frame by the smallest margin of any film in the top 10. Cumulative gross is now a healthy £13.65m – a nice outcome given the title’s £1.78m three-day opening number.

Newly released animation The Jungle Bunch arrived with a rather dismal gross of £375,000 from 507 cinemas – that’s less than The Emoji Movie took in its seventh session. Despicable Me 3, grossing £255,000 at the weekend, is still rather remarkably in the top 10 in its 12th week of release, and has now reached £46.5m. It needs to keep chugging a while longer if it is to catch Despicable Me 2 (£47.4m) and Minions (£47.6m).

The market

After the huge surge with the arrival of It, the market cooled a little at the weekend, down 18% on the previous session, and also down 15% on the equivalent weekend of 2016, when Bridget Jones’s Baby began its scorching box office run. Cinema bookers now have commercial hopes pinned on Kingsman: The Golden Circle, which arrives on Wednesday. Kingsman: The Secret Service grossed a total of £16.6m in 2015

Top 10 films September 15-17

1. It, £6,070,542 from 608 sites. Total: £21,168,697 (two weeks)
2. Victoria and Abdul, £1,846,970 from 605 sites (new)
3. Mother!, £831,676 from 468 sites (new)
4. American Assassin, £768,951 from 433 sites (new)
5. The Emoji Movie, £388,656 from 522 sites. Total: £13,653,209 (seven weeks)
6. The Jungle Bunch, £374,982 from 507 sites (new)
7. American Made, £344,764 from 356 sites. Total: £5,044,992 (two weeks)
8. Dunkirk, £336,547 from 370 sites. Total: £55,758,074 (nine weeks)
9. Wind River, £255,037 from 229 sites. Total: £942,773 (one week)
10. Despicable Me 3, £254,959 from 446 sites. Total: £46,505,692 (10 weeks)

Other openers

Simran, £45,378 from 34 sites
Lucknow Central, £14,353 from 22 sites
Magalir Mattum, £10,161 from six sites
Patel Ki Punjabi Shaadi, £9,091 from eight sites
The Villainess, £6,806 from six sites
Journey Through French Cinema, £6,770 from seven sites
The Case for Christ, £6,731 from 14 sites
My Pure Land, £4,441 from five sites
Let Me Go, £3,343 from five sites
Gogol: The Beginning, £3,256 from 10 sites
Centre of My World, £2,690 from four sites
Kills on Wheels, £1,249 from 14 sites

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